At the beginning of April 2021, as UK lockdown#3 began to lift, I headed for the nearest coastline from my home for a grey, pre-dawn photoshoot, with my FujiFilm X-T3, and shooting b-roll with my brand new DJI Pocket 2. I made some long exposures of Cobbold’s Point at high tide, some ICM (Intentional Camera Movement) studies of the beach, and some beach hut “street” photography.
I was pleased to get to Cornwall after a busy few weeks or work. I went down to Marazion and tried my hand at intention camera movement for the first time. I also captured some classic St Michael’s Mount images as the sunset over Penzance.
A shoot at this fantastic location at the north end of Felixstowe.
What are your travel photography goals when you visit a new place? A new video is up on YouTube with my shots taken recently in Venice. There is a discussion about my camera choices for the trip along with what photographs I chose to take and why.
After quite a few grey days, the forecast for the next morning was great, so at 04:20 I set an alarm and went down to the harbour for some blue hour and sunrise photography. I was pleased to find the tide was out but there was still some water across the harbour. This meant that the boats were not afloat (and therefore liable to move on the water during long exposures), and the sunrise was a treat.
Over the past two weeks I’ve been down at my home in St Ives. Whilst it’s always great to be there, the summer is always full of tourists, and you can spot the locals by their rapid progress along Fore Street (the main shopping street), or along the harbour as they dash into secret short cuts and by pass as many dawdling holidaymakers (they are holiday so why not dawdle?) as possible. This year, the busy areas offer no opportunity to social distance, so my time was spent walking the coast path (more of that in another post), and seeking out places where people were likely to be fewer with more space to spread out.
With a promise of some good cloud cover (some high clouds, but limited coverage), and very little wind, the chance of a good sunset was promised down at Godrevy. I went early, picked a spot to shoot from, and waited. The sunset got better and better, and then after the sun dipped over the horizon, I waited for, what turned out to be quite a lightshow. I hope you enjoy.
I used three separate photos to make this image. Hit the link to see how I did it.
Subscribing to my channel would seriously make my day!
We spent the weekend in Suffolk. We couldn’t get on a preferred campsite so we ended up in a budget hotel for a couple of nights. Yesterday I got up at 4am and headed to South Beach in Lowestoft for the sunrise. I was great to feel the sun on my face, the breeze in my hair and listen to the sea as it settled on the beach before retreating once again.
Since the beginning of lockdown, I have, over on Instagram, being posting a picture a day from my archive and occasional newly taken pictures. This is the 100th picture I posted. It’s sunrise over Glacier Point in Yosemite National Park. Pre-dawn we had struck our campsite, packed up and drove the forty minutes to this point and set up gear. The sunrise was spectacular but the pictures not so much. When I got home,I ignored this image as lens flare as it’s not “allowed” in landscape photography but when I trawled back through my archiveI really liked this picture. There is something of the breaking day and the promise of everything clean and new and full of opportunity about it.
Sunset at Wahiba Sands desert in Oman. Half an hour before sunset there was no wind and bright sunshine. At sunset, the wind picked up and the sands on the desert floor swirled around our feet. It was not the sunset I was hoping for, but I am happy with this shot that sort of reminds me of a picture my parents have on their wall of elephants in Africa. The colours are similarly muted. It may be the shape of the trees. Anyway, here it is. I hope you like it. Pictures of camels and sand dunes may follow.